Last night, I spent three hours shooting in the dark. The goal: to shoot test my new JP-15LE rifle, test my low-light mounting solution (a SureFire X300 mounted at twelve o’clock on the top rail) and get some trigger time in complete darkness. To say that I learned some valuable lessons after conducting this session would be an understatement. I am not new to low-light shooting, and I teach the low-light block with a handgun regularly. I also spend about one night per month shooting with my rifle in low-light conditions, but this particular training session came after a longer break than I like. I believe strongly that regular training is the only way to stay sharp. As an instructor, I am continually evaluating techniques and always attempting to expand my own skills and abilities. I train every week year-round with all three systems I use regularly: shotgun, rifle, and handgun.
For this particular session, I shot my JP‐15LE, JP’s law enforcement/military model in their high-performance rifle line. The JP‐15LE is designed to be a premium rifle at a lower price point, meaning JP quality at an affordable price. (One unique thing about JP is that they offer a program where an officer will be sent a loaner gun if he uses his JP in the line of duty, and it is confiscated as evidence!) The gun I have is a 16‐inch version with pretty much all the stock parts JP puts on the rifle. In addition to an Aimpoint C3, I added my SureFire X300 to the top rail, as well as some backup sights, a sling system and a BAD lever all made by Magpul.
Before starting the session, I mounted my light at the twelve o’clock position on the top rail, though I knew that that position on a rifle can be problematic due to smoke issues at longer ranges. You might ask why I mounted the light at twelve o’clock in the first place. There are a couple reasons actually. First, I don’t like to have gear mounted to my rifle at six o’clock because it forces my hand to be farther back (toward the magazine well) on the gun causing me to lose real estate in that area. I like to have my support hand as far out as possible for increased muzzle control when shooting a rifle. Second, I had yet to mount a rail to the bottom of the hand guard on this particular rifle, so I thought I would test the twelve o’clock position with the SureFire light and simply operate it using my thumb just like I would if the light were on my pistol. This allowed me to skip attaching a pressure activation switch to the light, and it works well when shooting bilaterally (off either shoulder).
Why not mount my light at three o’clock or nine o’clock positions, or somewhere else on the side? Because the light simply washes back brilliantly when shining on a wall or the edge of a door when working corners, sending light splashing back into the user’s eyes. The three and nine o’clock positions also force the operator to expose the light, gun and himself more so than with a twelve or six o’clock position.
The training session began at about 8:00 p.m., and I spent about three hours testing close-, medium- and long-range shooting techniques. I did not exceed 100 yards, as using a light to illuminate and engage past 100yards would be out of context for me (and most others). I also made sure to work with using cover provided by some barricades set up for the session. Working with this simulated cover is a big part of proper training because testing techniques in context is the best way to make sure the correct lessons are learned.
The lessons learned are as follows:
Training is the Way. One key to an effective training program (as listed in my book Your Competition Handgun Training Program) is that training sessions must be done at regular intervals. My failure to train in low light with my rifle absolutely affected my performance, and I felt out of place during the session. I could feel this right away in the activation of the light as well as in my manipulation of the rifle system in total darkness. I try to practice what I preach because the longer than normal break I’d taken definitely affected my outcome here. Easy fix—I will be logging more low-light sessions in the future.
Watch the Splash Back! This session consisted of using some barricades that simulated wall corners or the edge of a piece of cover. Although I spent a portion of the night training in the open just working on illuminating, shooting and scanning the threat area, adding a barricade demonstrated the incredible importance of ensuring that the light did not splash back in my face blinding me during the process.
Another related observation is that the shadow caused by the edge of the barricade can easily obscure and hide a potential threat downrange. The light must be used in a manner that illuminates what needs to be seen without exposing too much of the rifle and operator, all while paying attention to the potential for splash back. Staying a proper distance from cover is a big part of the lighting equation.
Have a Backup Plan. When I teach low-light with a handgun, I always tell students to carry a backup light in life-or-death situations. Most rifle shooters have a weapon-mounted light that is a great piece of gear, but what if it fails? A handheld light is a viable option when your weapon-mounted light goes down, but using such a light is a unique skill that must be learned and trained; don’t expect to master it during the fight! During the training session, I bumped the switch on the rear portion of my light turning it off. When the light failed (due to operator error), I resorted to using my handheld light, which is a tricky skill with a rifle because you lose the ability to grip the hand guard normally.
Test and Modify Your Gear. This one was the biggest of the lessons learned. As I stated before, I don’t recommend the three and nine o’clock positions because of the increase in splash back from those positions. While I knew that the twelve o’clock mounting position of the light was not the best option, I had convinced myself that at the ranges I would likely operate my rifle, the smoke obscuring my vision would not be an issue.
I was wrong! Even at closer ranges of ten yards, the smoke became an issue with multiple rounds fired. With the light mounted at twelve o’clock, the smoke issue was huge, especially when using an optic. Without testing the light in live fire, I would not have realized how much the smoke would obscure my vision. At more than fifty yards, the smoke completely covered the targets and regularly kept me from shooting for a second or so until it cleared enough for me to see the next target.
After I finally mounted the light at the six o’clock position, the smoke problems almost disappeared because the light was no longer illuminating the smoke in front of my scope. See the photo below for exactly how and where I mounted my light.
During this session, I also had a new piece of gear on the rifle in the BAD lever—a unique device made by Magpul that allows the operator to lock or release the bolt with the trigger finger of the shooting hand. While the BAD lever worked great, the user did not! Because I hadn’t used it before, I found myself forgetting to use it or not using it properly. The point: train regularly with the gear you have on your gun. If it doesn’t work (as in the case of the twelve o’clock mounting position of my light), then modify it.
In closing, I’ll repeat what I said about training regularly. While I do train in low light regularly, I had skipped a couple months. This made me much less comfortable when performing, and having new gear just complicated things. I have to dedicate myself to training regularly in this environment if I want to be able to perform well in it. Also, remember that training is not effective if not designed well and done within the context of the situation where the skill might be needed. Now get your rifle out and train!
Mike Seeklander is a nationally ranked competitive shooter and director of training at the United States Shooting Academy. A former active-duty marine and police officer, he is the recipient of numerous awards and honors for both is service and competition performance and is also the author of Your Competition Handgun Training Program. You can receive Mike’s email newsletter by signing up at his website www.shooting-performance.com.
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